Kelly Milo: One year after her heartbreak

Kylie Minogue has something. still. After working for 30 years in wholesale sexy corsets and feathers, and providing perfect but not surprising vocals, occasional concerts and marital equality work, she remains energetic, lovable and widely admired, especially in the UK where she was awarded OBE and Australia, where they have immortalized her into a bronze ware.

Kelly is one of the few actors in her generation and can be reasonably called “Idol.” She sold 80 million records. Her golden hot pants were in the museum. She is part of our cultural history. She is the master of the circus. She is Kelly – so when you have the opportunity to chat with her, you will Grab it.

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Then you want to know what you’re going to say because you don’t want to be a vulture who ridiculed her opera love life or slyly implied her age (she is 50 years old this year), frankly, about another optimism, The disco-inspired Poppy Bubble album doesn’t have much to say. Very good, you know?

Disclaimer: I am a kelly fan. The 2001 Fever album helped me through difficult times and hearing it still made me happy. When she took her to New Zealand to travel, I would be there and spin around the crowd. Move in my way.

I really do not want to provoke her, so she feels at ease when she jumps from the bat pole. Kelly is one of the most fascinating love lives in modern history. Jennifer Aniston’s ridiculous. Jason Donovan, her first famous boyfriend and neighbor co-star, helped her become a household name; INXS lead singer Michael Hutchence turned her nice pair of shoes; French actor Olivier Martinez passed Breast cancer supported her; the Spanish model Andres Velencoso cried alone every night after leaving.

Kelly said that after she ended her relationship with British actor Joshua Sase, she was comforted by her recent heartbreak. She spent two weeks in Nashville focusing on writing music. “This is really incredible. There is something in the air. The place has magical quality. If I haven’t been to that trip, I don’t think I will have the album I have today.” She said. “If I have the opportunity to go back, I will accelerate my heart rate. I like it.”

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Her first original album has been stinking and kissing me since 2014 (one global sales of 215,000, compared with fever, sales of 6 million) Golden will be listed next month. This is her 14th place and even she seems surprised by it.

“I was like a clown on that day and I laughed with a friend. I said, ‘This is my 14th studio album! He said, ‘Is this 14th?’ I thought,’ is it?'”

She was happy to go back to the formula that worked well for her in the past. She was not rude or unfriendly because she was Kelly. She assured us that this album would not be as unacceptable as a kiss for me. This is made up of 18 people, including Sia and Pharrell Williams.

“A and R are people I have worked with my previous brand for 10 or 11 years, turning the body, unable to get you from my head, on such a night – we have achieved a lot of success together. To the last In the album, I was taken to various movie studios and made many different songs. There was no real guide lamp or I knew where I really went. I didn’t completely give up this project, but it was just It’s the way it is, for this I want to make it a bit easier, just because easier things don’t mean it won’t have such good results.”

Unlike the previous album, she will not indulge other people’s interests when promoting Golden. In fact, this name canceled it in advance. “I said very early on that I like Golden (as a headline). Golden is just a word from what I want to put somewhere. It changed a bit. At first I wanted to say that I am not young, I am not old, I am Gold, yes, I am older than I used to be, but I am younger than me, gold is sunny, many great things are golden: golden stars, how do we see the moon, golden light, golden beaches, golden hair ,Etc., etc.

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“Last album, I was very tired of this issue.” What do you think about the pop music industry, 48, 49? “My answer is that this question disappoints me more than the fact actually being discussed.”

A quick survey of my friends and acquaintances on social media shows that although Kylie herself is “crazy” and “great”, she will not be too serious about herself and will not adapt The ability is too old-fashioned, and we are making a comeback in this era when we are scared of thousands of snowflakes and preschoolers are already failing.

“She is good at getting her early bubble gum out,” said one commenter. He happened to be the music writer Grant Smith. He also accepted interviews with Lamno.

“She has been a little ready for years and she still recovers,” another said. “She is a complex and tragic figure,” said the friend with a higher education degree and two babies at home.

Another friend found her teeth “almost threatened”, which seems worth mentioning, if not completely relevant.

Singer Rufus Wainwright explains her appeal: “Kylie knew she was deep inside. She was herself, and she did not attempt to confirm it with a quasi-intellectual language.” He also said that Kelly was “happy gay”.

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As for her superstar career path, Kelly said she did not plan and never did. “I didn’t set about doing [30 years]. I step by step through the project. It’s useless to make a long-term plan. I admire people who have this promise and ability. For the sake of planning, I’m just not that person.” My opinion on this seems to have worked.

“I’m a Gemini. I have too many voices in my mind – there is a committee. Gemini is twins, but there is a committee there. There is usually a lot of noise there, so I don’t think the committee can organize itself for the next five years.”

It has been busy since 2018, which may prove her point. She is not only supporting Golden’s promotional circuit, but has been promoting the Australian film Swinging Safari, telling about a boy with 200 tons of whales rushing to the beach, and his parents (by Kylie and Guy Pearce) conducting a key exchange experiment. .

The film is semi-autobiographical and is written by Stephen Eliot (Desert Queen Priscilla). “None of us can convince anyone that there is no fun,” Kelly laughed at the shameless hymn of the 70s. “This is work, but everyone has a feeling of explosion. It is a good start when one of the six adult actors appears in a new garment every day.

“I would have liked to keep my [my character] wig. I think it’s awesome. Liz Gardner was the hostess in the wardrobe. There was an extra piece of clothing. I said, ‘Oh, what’s that? In my closet, just take an extra back!”

When we spoke, she was still figuring out how she wanted to perform her first single, dance, and the upcoming TV show made her “slightly anxious”.

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“The first few performances of a song that has always lived in a studio have always been [always very difficult],” she said. “From the Aphrodite album of 2010, I had all of these intricate choreographers and a dozen dancers, maybe more, as well as chairs and avoid chairs, dancing in chairs, I was almost The crazy high heels that can’t walk. It doesn’t seem possible to sing this song live.

“Once you have completed 60 times and used older songs, you don’t have to think about it. You can have fun.”

Why KYLIE Stops Promoting Marital Equality

As an Australian voice activist of marriage equality, Kelly Milo worried that celebrities supported the bill allowing gay couples to marry would poll the public postal survey.

She said that as the voting approached, she “backed off” to avoid having people vote “yes” because of the rally including celebrities such as Ricky Martin, Miley Cyrus and Allende Genes.

She said: “Even if you are passionate about this matter, most people will let it go.” “I have a friend who has a relationship with the same man for 30 years. His mother said: ‘Hey, I just think so.’ ‘, and this feeling is a bit too much.

“When the marriage was announced in equality, I was in London and I was standing there. Hey, my God, oh my God, please, please, please. Closer to the end of postal voting, I fear more and more. Celebrities [support it] may be counterproductive, so I’m a bit back off.

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“I just found out how to deal with this problem a bit harder. I thought that Hilary Clinton had the power of all these stars around her, and people thought it was not a wise move (she still lost the US presidential election), so part of me People are worried that this will happen, so I am very pleased with the affirmative vote. “

Disha Patani’s Baaghi 2 promotional wardrobe disappoints us; this is why

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The promotional activities of Tiger Shroff and Disha Patani, starring Baaghi 2, are in full swing. The film will be released on March 30, 2018. Promotions always bring juicy conversations, friendships with co-stars and many forms of promotion. Disha Patani performed well in her debut movie Dhoni and won the hearts of the audience. Whether it is her sweet smile, sexy action or that charming personality, Desha instantly became a national fan. However, the beautiful face let us feel disappointed with her promotional wardrobe and we brought you all the disappointments of her appearance.

Disha Patani of Swapnil Shinde

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Disha Patani recently promoted her new movie “Baaghi 2” in Delhi. Her day looks like a white custom dress by Swapnil Shinde. Her lovely dress, loose sleeves and corsets wholesale waist were paired with a pair of metal gladiator sandals, soft curls and minimal makeup that made her look more rounded. Although I really don’t mind wearing a dress on her, gladiator sandals make the appearance so outdated.

Disha Patani at Shehla Khan

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Disha Patani has been busy promoting her upcoming movie ‘Baaghi-2’. For one of the promotions, she was wearing a blue strapless dress, designed by Shehla Khan, trimmed at the waist, with bow detail and raised thighs. An exquisite necklace, tied hair and a pair of gladiator sandals made her look more rounded. The whole look is a bit confusing to me. She tried to make this evening look suitable for wearing white sandals, but the evening dress and the hair screamed at me in the evening.

Disma Patani at Lama Jouni

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Disha Patani recently attended a news event to promote her new movie “Baaghi 2.” She wore a Lama Jouni grey plaid dress that looked beautiful and wore a black wide waistband around her waist. Lace-inspired dresses feature a pair of black ankle straps for minimalist makeup and soft hair curls. I am not a fan of Dessa’s promotion style for this movie, but I really like her view.

Disha Patani at Bershka and Asos

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The beautiful actress was in a check and stripe mood. Dessa wore a gray and white Bershka crop top with a pair of Asos high-waist blue square trousers. She uses a pair of black criss-crossing shoes to pair with heavy beach curls and dew makeup. We have no idea why she would choose such a thing. It is not suitable and unappealing. It also makes her look very thin.

Dessa in a sequin skirt

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Disha does have a shoulder crop top, what do we think of why? Patani is seen wearing a white wheat top with rose prints, red on top. She used a red, black and white striped high-waist silver sequin skirt with her crop top. The soft pink sneakers tied her hair to her touch.

Disha Patani at Arpita Mehta

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May be the only appearance we like. Dessa was dressed in pastel pink sequins and embroidered patialia suits by Arpita Mehta. The actress keeps the smallest open beach wave-style hair, full of eyebrows, pink background makeup and effervescent goblet juttis.

We were a bit disappointed with her style of publicity, only wishing she had a better look in the coming days.

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Oh, happy! Oh, rap! A more streamlined Gilbert Sullivan turned 94.

The singers rehearsing on the stage, the live painter touched the stage backdrop and the stage performance, and the stage was packed with wholesale corsets and uniforms to perform the rehearsal of the “Guardian Gate” in 200 theatres in a church in the Upper East Side of Manhattan.

This Gilbert Sullivan Society performed for the first time on the millionaire yacht in the Blue Mountains of Maine in 1924 and has been known as the cultural export of the blue veins of the Upper East Side for decades.

With Ivy League professionals, who like to pay in installments at night and on weekends, these days, the team has fewer and fewer applicants and has problems finding rehearsals and store space, let alone making calls. Home theater.

But even after the golden age, even if many small theaters in New York City were closed, the troupe could survive.

Now that it has entered the 94th season, the troupe has continued to perform frequent performances. It hopes to reach the 100th anniversary.

Susanna Taylor, the acting president, said: “I think we will reach 100, but it will work.” Before the troupe’s spring producer “Muehmann” rehearsed, he often saw countless things in the background. The play was held at the St. Jean Theatre on East 76th Street on March 31st.

Taylor pointed out a nursery room at the church day care center, which is providing choir members with a locker room for their tower guard uniform.

The band squeezed into a narrow pit and the rehearsal started.

When Jack Potter and Elsie were “I have a song to sing!”, the troupe was completely boring.

The program’s program includes photographs of the “Yeoman” troupe dating back to the 1930s. The troupe created works from 13 works by Gilbert and Sullivan. It has raised millions of dollars for charity in New York City for decades.

Taylor said that about 260 crew members participated actively throughout the year, whether it was spring or autumn performances, or other concerts and events.

Taylor said that even if they are inactive or residing elsewhere as a means of maintaining contact with the group, nearly 400 members continue to pay membership fees, and many people travel to New York during the production, which may be similar to the party.

Dozens of members have worked in this group for more than 50 years, many of whom were in the 80s and 90s, including Ed Gough, 95, who still sang with the troupe.

Like many members, “Yeoman” executive producer Sandy Dickinson has three generations in the troupe. Dickinson’s children were all members. He said he was “blue” and was a member of the troupe’s children. Then he came into contact with the opera when he was at Allen Stevenson College in Manhattan. The theatre department still provided Gilbert and Sand. Li Wen’s works.

For decades, the troupe has provided similar drama programs to local private schools. Although some members of the nobility still exist – including J. Pierpont Morgan’s great-grandson Charles F. Morgan – its members have been diversified.

“When I was young, most of you were patients with blue blood disease in the Upper East Side, but everything changed,” Dickinson said. “I live in Jersey. I can’t live on Park Avenue.”

The troupe performed for the first time in 1924 and promulgated “H.M.S. Pinafore” on the founder’s yacht deck, a wealthy Manhattan doctor, Seth M. Milliken. By 1926, they established the “Pangers Pirates” in the townhouses of Madison Avenue, and then performed for many years in FE’s spacious mansion.

The troupe still holds meetings in its members’ luxury apartments, but it is difficult to find real estate that was donated regularly for rehearsals and production of buildings a few years ago. The organization was recently built in a parking lot in Secaucus, New Jersey, and in a barn in New York State.

“These backgrounds may be painted in the basement of someone’s building, suspended in heating oil or other things,” said Tom Ridgeley, director of the production department.

Ridgley said that the close unity of the troupe has not diminished; it has improved the stage performance.

Intimacy will also kick behind the stage. The post-show destination includes Alehouse on Third Avenue, where members often use well-lubricated theatrical songs: “Hail in the Pirates of the Ice”.

“Hail, poetry, your reborn maid!

Your favorite pirate trade. “

This troupe can easily break into the songs on the subway or during the funeral of members, in the church. At the wedding of the member, guests may hear “The Gondoliers” “groom and bride” and “become a beautiful young bride” from “Yeoman”.

For many years the wedding is sure to be very rich. The troupe claimed that no less than 99 marriage couples were married – known as “meeting and marriage.”

“This is a matchmaker’s paradise,” she said. “You bring all these professionals together because they have this common passion.”

Only 12 of them ended in divorce, said Suzanne Taylor, daytime event planner Suzanne Taylor and a soprano who now plays Dame Carruthers in “Yeoman”.

Taylor and her husband John Taylor married in 2000 and became the 84th meeting and marriage couple of the troupe.

Of course, there are many extra married couples who have not met at the troupe.

For example, Betsy King Militello met her husband Sam Militello in the late 1990s, both of whom worked in the Village Light Opera Group. Betsy Militello has been a member of the Blue Mountain team since 1983 and has been joined by Sam Militello to the Blue Mountain team. Both are lighting designers currently performing.

Betsy Militello said: “You soon met people.” “Everyone has more than full-time lives, and there is no time to do anything. We are all doing what we love.”

Militello said that she grew up in the Upper East Side and went to perform in Manhattan Light Opera. In 1989, she closed the full-time Gilbert Sullivan Troupe of the Upper East Side. She is interviewing to join the Harvard Club. Her interviewer is a member who suggested she apply to Blue Mountain.

As for Dickinson, his ex-wife never became a member of the troupe. However, he is dating a woman, but due to their early relationship, he flinched when he was asked if he could become the 100th “befriend and get married” couple of the troupe.

“What are you?” he said. “Priest?”

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Black Orchid Burlesque ZA introduces another “Browsing!” of Gender Bender, which showcases creative performances from your favorite burlesque and male performers. This upside-down night will be by Bawdy Banter’s own Queen Proff. DD Boobs, we promise you will laugh. So come and experience the world of DRAG and DRAB.

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“Sometimes I feel sexy in tight dresses and lipsticks. Sometimes I think buttons and ties are handsome. Sometimes I wear skirts, cheap wholesale corsets and cufflinks. I am a gender bender and I can bend the gender code to Adapt to my understanding of me!”

Our performers promote the expression of gender integration, fashion and human wonders through the expression of elaborate, charismatic, and often sarcastic forms of performing arts, and present topics that are generally considered taboo by general social standards.

What is gender bending?

“Gender torturer is a person who destroys or “bends” the expected gender role, and gender refraction is sometimes a form of social activism designed to eliminate strict gender roles and stigmatization stereotypes. Expectations of sexual behavior are assigned to social norms of this gender, and this rebellion may involve bisexuality in dress, decoration, behavior, and atypical gender roles.

Kylie Jenner’s body after performing in a waist-waist play

Kylie Jenner showed her flat stomach on social media only seven weeks after giving birth to her daughter, Stormi.

In the Snapchat video, the 20-year-old star starring Kardashian appears to have succeeded in recovering her body so quickly after the baby’s appearance.

But just a few days ago, fans criticized the young mother, Jenner, for designing a “dangerous” waist-tie bustier training device.

In her most recent video on Saturday, March 24th, Jenner raised her black hoodie to reveal her small belly. Standing sideways, she magnifies her waist so that her followers can watch closely how her body rebounds.

Just one month after giving birth, Jenner still showed off at the bottom of a black pullover T-shirt and a black bikini bottoms.

But when Jenner recently revealed that she turned to “waist training” after pregnancy to “rebound”, the fans were crazy.

The rapper Travis Scott’s baby mom wrote online earlier this week: “My girl @premadonna87 got me with the @waistgangsociety rebate package. #advantagegang has the best quality rebate products.”

In the accompanying photos, Jenner squeezed her waist with a postpartum Snapback trainer.

The corset advocated by her claims that when they recover from birth and lose weight, they keep the new mother’s waist in place.

Critics have accused the device of damaging female organs and setting unreachable beauty standards.

One person wrote on the Internet, Kelly, “*Let the waist coach only post a photo and make more money. *A teenage girl from a working-class family, you can look like me if you buy this too. Coach, squeeze your organs! It will work completely! ”

Another person said, “Dear Kylie, your body looks like after giving birth. Stop promoting dangerous weight loss BS!!”

A source told cheap sexy corsets that Jenner didn’t care about the antiaircraft guns and told friends that her enemies were “just jealous”. In fact, Jenner doesn’t seem to worry and is intoxicated with a new, very slim mother and sharing photos. Small storm, born on February 1.

She said to the girl on social media: “I looked like me when I was little,” and added that she “was staring at her all day.”

Kylie Jenner is only a few weeks after the waist trainer is born

Less than two months after giving birth to her baby girl, Stormy, Kylie Jenner is stepping up her efforts to “bounce back” her body to her pre-pregnancy body.

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The new mother recently shared a photo of her on Instagram (although it was a sponsorship position). She was in a waist waist trainer waist trainer and wrote: “The waist has the best quality rebate products…”

Kardashian-Jenner fam has long encouraged waist trainers and wholesale sexy corsets as a means to create their signature hourglass image – Khloé even has a holiday version of the theme – but the body restraint method has not been approved by the fans or health approval pros and cons. And Kelly’s latest post is no exception.

“Beautiful, but I hope it is safe,” commented one follower. The other wrote: “This is very unhealthy!” People are also chatting on Twitter, and others are dissatisfied with the post. “What’s weird is that Kardashians / Jenners are millions of super cool influencers, but still use basic basic advertising to hinder their daily work.” A user said on Twitter that Kelly I was watching Today’s waist coach #ad #spon.

When using a waist trainer to lose weight, an expert previously told us that these extreme body reshaping devices may cause more damage, not better. New York City nutritionist Brittany Kohn said: “Compression can make breathing difficult.” The secret of wearing a bodice to lose weight? “The application of such great pressure on your middle may result in bruising or even organ damage.”

What about people like Kelly in a few weeks after birth? Is the potential danger amplified?

“Pregnancy can cause your abdominal muscles to get weaker and stretchier,” said Dr. Nita, who is the assistant director of Dr. Landry, ob-gyn and The Doctors. “Restoring your body shape by using a waist trainer can actually stop the abdomen and The strengthening of the core muscles… Yes, causing injuries as much as possible. Super tight wholesale sexy corsets can affect your breathing and movement of the diaphragm, compress all organs, and cause many different problems. “

If you still want to know what those hourglass effects are? “Wearing it may look great, but things will return to their place,” Dr. Landry promised.

Some experts say that women’s bodies take 6 to 10 weeks to deliver naturally, because postpartum contractions can cause uterine contractions. Others claim that it takes women a full year to recover. However, there are no strict delivery recovery schedules because each woman’s physical and genetic factors are different before, during, and after pregnancy, Dr. Landry said.

“When it comes to losing weight, it always goes back to diet and exercise,” Dr. Landry said. “I hope that women have a healthy diet and exercise program, but also love their post-pregnancy body.”

In addition to potential health risks, Kylie’s post may cause other new mothers to feel pressured to jump back to baby prenatal training instead of embracing their postpartum body like the fitness blogger. After all, losing your baby’s weight usually takes time.

Kylie Jenner promotes waist training as a way for new mothers to “return”. This is the cause of the error

A doctor and fitness coach weighed modern corsets, which is the Kate Daishan family’s favorite Instagram theme.

Another day, another Kardashian promotes a waist training device on social media. This time it is the new mother Kylie Jenner, who is selling products like corsets as a way for women to “bounce” after giving birth.

“My girl @premadonna87 tied me to the @waistgangsociety rebound package,” Jenner wrote in a post sponsoring Instagram yesterday. Then she encourages her followers to use her exclusive discount to purchase parcels, so she “can keep up with your progress.”

We are all trying to give new mothers power (and lose weight with friends!), but we have encountered some problems in this article. First, the idea that women can or should “fight back” the body before the baby is not the healthiest. Most importantly, the idea that the waist trainer can help is also best suspect.

If you are a beginner waist trainer, here is a quick start guide: These modern corsets are basically thick straps of material that wrap tightly around the waist and lower ribs. Kylie’s sisters Kim and Khloé both promoted them on Instagram. Stars like Jessica Alba and Brooke Burke-Charvet have credited their waist training to helping them recover after giving birth.

There is no doubt that when you wear them, the waist trainer can take the shape of a slim hourglass. Companies that sell waist trainers also claim that these devices can reshape the body or reduce belly fat – but Boston University professor of medicine Carolyn Apovian, MD, told the Ministry of Health that “in my opinion, this is completely nonsense.”

Dr. Apovian said wearing a waist trainer may not be a problem, but it only looks thin for a few hours. “If you look in the mirror, as you can see, it may be a good thing,” she added. It may even increase women’s confidence and encourage her to exercise and eat healthily.

However, the waist trainer does not change the shape of your body, she said, once you turn it off, you will not see lasting results. In fact, star coach Nicole Glor told Health that regular wearing waist trainers may lower core strength. (She said that a better goal is to sculpt lean muscles through such actions as planking and twisting sit-ups.)

For new mothers, Dr. Apovian said wearing a waist trainer during exercise helps women feel more comfortable as long as it is not so tight that it limits breathing or causes discomfort. “If it helps everyone feel more nervous and there is less jitter around the stomach,” she said, “it can help you exercise better.”

But women should still follow the doctor’s advice about how much and how much self-motivation they should when they start exercising again – and they should not feel too stressed. Although some waist trainers claim to reduce water retention and uterine swelling, Dr. Apovian said this is not true.

“When it feels like contracting, the uterus shrinks,” she said. “And you can’t use a corset to eliminate the weight of water – it’s not right.”

There may also be risks: If the waist trainers are too tight, they can interfere with breathing or cause heartburn. “Your stomach may be pushed out of the diaphragm, which may cause reflux,” Dr. Apovian said. “If you wear one and you experience these symptoms, then this is a clear sign that you need to relax it or take it down.”

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We are not the only person who notices Kelly’s position. Many of her Instagram and Twitter followers quickly criticized the star because (a) was not proven to actually do anything, and (b) may have negative physical images in her followers (including teenagers and other new mothers). Permanently exists.

We would love to see Kelly promote a healthier and more effective way for new mothers to reduce their baby’s weight – when they are ready, like – follow a balanced diet, start postpartum exercise routines, yes, even breastfeeding. Not only do these strategies actually prove helpful in reducing unnecessary pounds, they also have many other benefits.

Maternity Corset and Vintage ‘Stoutwear’: Drawing 250 Years of Fashion and Body

The concept of “physical enthusiasm” is a relatively new invention. But the same applies to mass-produced clothing. The body always has a variety of shapes and sizes, many of which go beyond the prevailing norms of the day – it is never completely stable.

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The “Body: Fashion and Fitness” exhibited by the Museum of Fashion and Technology at the City of New York City demonstrated this tension. It “explored the complex history of the ‘ideal’ fashion body and its various body types. It was considered from the 18th century to the present. “This is a thought-provoking tour that has gone through the history of clothing for two and a half centuries, shifting from the beginning of the 20th century to the “short barrel” to the modern big-fashion fashion. Including Christian Siriano’s custom Oscar dress Leslie Jones.

Jessebel: What is the goal of this exhibition?

Emma McClendon: This exhibition is in a special gallery in the museum. The goal of this space is that each exhibition we put in is a new theme, a new focal point to show the history of fashion. This is also where we display our permanent collection. We don’t show it forever. You can see the same clothes on the same human body model in the same place for decades. The clothes are too fragile. What we have done is to use this as an opportunity to explore the history of fashion through a variety of perspectives. We can also exhibit works that have never been seen before or obtain new works during the permanent collection of exhibitions. This is the core element of planning any performance in this space.

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For this exhibition, I hope that visitors can stand out from the crowd, or be able to do more within a wide range, which will add a historical perspective to the ongoing discussions on the inclusiveness and diversity of the fashion industry. When I first started planning this exhibition, the physical enthusiasm movement definitely penetrated and grew, but that was about two years ago. Being able to see this exhibition was very surprising, and very occasional, to see how it really thrived and grew to reach so many people and reach out to such a wide global audience. I hope that this program can contribute in this way, perhaps to show how certain elements of the current dialogue are so new and exciting – and we see the open way of the fashion industry I don’t ‘I think we’ve seen before – But there are some aspects that have already emerged.

Just as it was known in the early 20th century as “hyper shorts” clothing, these terms may be problematic – the industry has always been part of the retail industry, which is full of retail interest and fashion magazines throughout the 20th century. Interest, but unfortunately, it has dropped after a few years. By showing this history, I hope people understand how the fashion system has evolved and established in the past 250 years, so that we can really ensure that the current discussion will not be disconnected. The games we see now affect more permanent changes.

Sometimes you look at things in fashion history that seem to be because of prejudice to survival and other factors. The idealized silhouette is what you end up seeing in the record. Interestingly, even caricature – on the one hand, it is frustrating to see that people have been doing cartoons about ugly fat women. But seeing evidence of their existence is also very interesting.

absolute. And this is another goal of the program is to introduce works that may be of different sizes or emphasizing different body types throughout the chronology, whether it be a child’s bodice or maternity bodice, or a maternity robe or early stockings or The size of the work from the 19th century or the beginning of the 20th century is different. I think there is a lot of time in the exhibitions or films or magazines that brings us a misunderstanding. Let us think that all women in the past have a certain scale. Very small. It is an idealized body type. This may make us think we have any problems now. It not only continues the ideal, that is, the ideal does not exist, the ideal does not meet the ideal person is not invisible, marginalized, is humiliated, but it also makes us question our diversity in a useless way. Because of the fact that physical diversity has always existed as long as people are always there. No two people have the same body. No two people have the same shape. This is not just a matter of size. This is also a question of age, race, ability, and gender identity.

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Most of the content in the exhibition is about this size issue, but it is hoped that something that appears in some comics is like this – not only for the design of a specific human shape, but also for the material in one person Specific moments in life. Or it is a special type of person who is a 20 year old young white woman, and it does not consider how our body will change, how their age, how our ability and mobility are affected. I’m very happy that we can collaborate with Open Lab’s Grace Jun and really highlight some of their projects, what they do there, and the designer Lucy Jones, I think they not only want to rethink the body and how to do different things Designing clothes for the body at different stages, but also educating students and industry professionals to begin to rethink the body types of fashion design.

What new works have you collected? One of the interesting things for me is that you rarely see museum exhibits. This is hard to find? Do you have to find it?

No, this is our collection of early clothing. But you are right, these works are often more rare. In general, ready-made clothing may become scarce over time. More everyday clothes, no matter how big you are talking, are hard to find early.

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We already have most of the works in the exhibition. Where have I done most of the new acquisitions are in the contemporary section, because I really want to draw inspiration from these budding designers and brands, these designers and brands really provide a how to reflect on the body, how to make them Examples The entire brand and the entire company revolve around a more inclusive view of the body, from the way they make clothing, to the way they sell clothing, and how they display or sell on the runway. They are really just changing the game. So I want to end the exhibition with more positive and encouraging notes. I think there are many things in the program that can feel very sad, familiar and heavy, but I hope at the end of the character era, especially for students – we have a lot of student participation and student performances at the Fashion Institute. I want to give them some examples of people who have rethought about this issue. Provide inspiration for how we move forward.

Part of the exhibition is that you see these huge changes in the oceans partially centered on technological advances. Just as corsets wholesale are widely used because it allows them to use machines, it is possible to sell them at a lower price and have a golden age of wearing corsets in the late 19th century. Looking back at these 250 years, when you see the rise of the modern fashion industry – I know this is a very complicated relationship – but you think it is more the industry that shapes our idealized body, or the culture of our idealized body What does the idea shape?

I hope there is a clear answer. I think it is actually more detailed and interrelated. I think fashion is not a reflection of culture. This is not a mirror that reflects our body’s thinking. It is the promoter of cultural change and plays an important role in the formulation and dissemination of our ideals. Well, now, I don’t think there are any more extensive changes and trends in other aspects of culture. These changes and trends are affecting things that ultimately happen in the fashion industry. But I think they are so complexly connected and connected throughout history that it is tricky to separate them.

Many of the ideas and themes in the exhibition, as well as the overall narrative of many aspects, are difficult to show in physical clothing. This is why video is available at the beginning, with all the supporting materials, manga and video clips, and so on. But this whole topic has deep psychological factors. Clothing is a manifestation of practice. We are dressed every day, we all go shopping in some form, try on clothes and so on. Regardless of their personal relationship with the clothes, everyone has had experience entering the store or ordering things online at their usual size. Think they are, then try it, it just doesn’t fit. At that moment, they felt something wrong with their body and the clothes were right. The real takeaway here should be physical diversity, the body is correct, and the clothes are wrong. This is a fashion system. The way the clothes are made, the way they are sold, the way the entire system is set up is wrong. We need to try to separate.

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This exhibition is by no means provided with all the answers. What I hope is that it has triggered a dialogue so that we can start thinking about how to start changing the system. Because we can’t fix it before we admit that the fashion system is physically flawed. One of the elements boils down to standardized dimensions. The standardized size is a double-edged sword. This is very beneficial for democratizing fashion because it can produce garments in batches, making them cheaper and making them more affordable. It opens the entire fashion system. Over the past 150 years, we have seen more and more – the opening of the fashion system, so that people can participate in the fashion trend in an unprecedented way. But at the same time, by creating standardized dimensions, you are predicting the idea of ​​a standardized body, where you are trying to put their bodies in their clothes instead of putting clothes on them. This has a strong psychological impact on how we treat our bodies, how we think about our bodies and how we see and think about the bodies of others.

It’s hard to show it in kind, but the concept of error-proneness and malleability in this fashion system, and how it treats the body and how it has changed in many ways, but it’s also true in many ways – in the past I hope so We can pass in program.

You are talking about trying to motivate students who will continue to work in the fashion industry. I want to know to what extent do you think it is possible to make the fashion world possible – instead of treating fashion design as a true positive expression of art?

What I mean is that they can start with many things. They can start selling various sizes of clothes first. They may start to make the brand’s size generally rise to 26 size and fall to 0 size, and categories without these sizes will be split in the store. There are more editors in the magazine, more representation on the magazine’s page, and these are things about clothing and style, not just a naked curvy woman.

There are a lot of things that can be done on a very basic level, and then I hope that with the leaps and changes in technology and all the changes we see so many other industries can really focus on and solve these problems in the fashion industry and re Think about the way we make clothing, the way we make clothing. Innovate in the same way they did in the industrial revolution, change the method and make it open and more inclusive.

It seems that there is usually such an idea, oh, what you don’t understand is that we can’t do this. So what’s interesting about this exhibition is that it clearly shows that the iron law that is usually regarded as nature was invented 120 years ago. Do you understand? It was not a long time ago.

Indeed, this is the point. Our body is natural and our clothes are fabricated. This is something made. There are ways to change the manufacturing process. This is something we can figure out how to innovate. I think that now, with all the other dialogues and innovations in culture and society, discussions and debates, fashion needs to catch up. Fashion needs to communicate with the truly inclusive dialogue that is currently underway. If you do not do this, it may be left behind and it seems to be losing contact.

In my opinion, it is very important to emphasize that I really hope to use contemporary designers who can provide inspiration and justify the reasons that they can change the status quo of contemporary designers, because I think that fashion is based on the system. I don’t think it’s worthwhile to blame those who did it wrong, because the entire system has been set up for hundreds of years. I think it’s more important to celebrate and emphasize and support those who show that they can accomplish in different ways and use it as a positive and encouraging example rather than calling out to all other people who are doing it. Because it is indeed a motion that other sectors of the industry are experiencing the status quo.

Now there seems to be a broader reflection, but I think that as a shopper who likes to buy clothing in more places, we sometimes have a very shallow touch on these concepts. As you said, this is a naked woman who is curved in shape. It’s like, come on. This is not very aggressive.

Yes, it only played visual effects that have been passed down from centuries. We are used to seeing that we are very relieved to see “big woman”, “curvy woman” or “flesh woman” or any euphemism you want to use – we are used to seeing these bodies as Rubenesque’s nudity and understanding Their beauty and their aesthetic value are such. Whenever you see a naked XL model, it will play again. The editorial shows that these women will be more inclusive, progressive and encouraging. Instead of showing them individually and showing their bodies completely, they should be placed seamlessly in editorials just like any other model.

And also highlight the clothing. In these industries, these segments are between straight and positive dimensions, which also means that no or only few plus signs are included in the high fashion conversation, so not only is a plus size institution not fashionable The concept of oversized clothing that the oversized body can wear is not really fashionable either.

At the end of the day, I hope to actually achieve this in the video. This is a marketing opportunity. Many speakers in our video, including Christian Siriano, are very blunt. You know, everyone is bankrupt, which is why you will go bankrupt. Because all these designers did not create clothes for most people. From a business perspective, this is just crazy. Another reporter asked about this person’s flattering question and all these talks about how to dress up different body shapes and shapes, asking about the true freedom and inclusiveness in the industry. I really believe that true freedom and inclusion in the industry seem like everyone has the same choice and the same style, aesthetics and clothing. Clothing pays more and more attention to yourself and your identity until we give it to everyone – no matter how big they are, regardless of their size, regardless of their abilities, regardless of their gender identity or race, they can participate in the same style, Looks and buys them and finds where to buy them – until this happens the fashion industry is operating on an exclusive and marginalized system.

Li Jenner unveiled her tiny post-baby waist and shared secrets of weight loss after pregnancy

Social media is obsessed with Kylie Jenner’s post-pregnancy figure, and the real star may have just revealed her extreme weight loss secret. Jenner finally came back from M.I.A on social media during pregnancy. She did not come empty handed.

According to the “Daily Mail” report, Kylie Jenner showed off her little baby’s midfielder for Instagram on Instagram six weeks after she gave birth to her daughter, Stormy Webster, on Monday. But showing her enviable post-pregnancy body wasn’t Jenner’s only performance in her position because real stars shared the secrets of the baby’s weight loss.

As it turns out, Jenner has accepted waist training at the Waist Gang Society, just like her Kardashian-Jenner brothers and sisters. Kylie Jenner encouraged her to reduce waist circumference by eliminating unwanted pounds and waist circumferences after pregnancy, and encouraged her to register a wholesale sexy corsets with more than 105 million Instagram followers.

Kylie is not the only member of the Kardashian-Jenner family who vowed to pass the time-tested belt and help to lose weight in the lower back area. Her big sisters Kim, Kourtney, and Khloe Kardashian had previously praised waist training to help them get their waists shortly after delivery.

In 2014, Kim Kardashian could not stop supporting the product because she helped her realize the hourglass image shortly after her daughter North was delivered. Kim said that she had said on Instagram’s photo #nophotoshopnecessary that she would wear a “hours” belt every day.

In 2015, Kourtney Kardashian marked her thin post-baby body six weeks after her third child, Reign. Their sister Khloe also followed suit.

Even if Kylie Jenner looks beautiful after delivery, and her pregnant waist is slim and tiny, the reality star still refuses to show her waist area. Over the past weekend, Jenner shared a series of photos of herself and BFF Jordyn Woods. They had a good time in the hot tub and only panties. In each photo, Kylie Jenner strictly lays her waist above. The photos taken in the impromptu hot tub marked Jenner’s return to Instagram. Like last weekend, photographs linked to the Kardashian star rarely publish their photos on social media platforms.